Welcome to the Rennefarre by Malve Von Hassell blog tour, which is put on by Tribute Books. I'm hosting todays stop, which is packed full of awesomeness of course. The author wrote up a guest post for my stop along with a Q&A. After you find out all about the author and her book you can enter for a chance to win an e-book copy of Rennefarre! I hope you all enjoy the post and giveaway!
Here is a big warm welcome to Malve Von Hassell and her book Rennefarre.
Rennefarre by Malve Von Hassell
Imagine riding on the back of a blue heron across time and space. Imagine befriending crows, being kidnapped by magpies, and being given a lift on the back of a kindly stag. Imagine experiencing life as an outcast from human society, encountering spirits and mythical creatures from the world of legends, experiencing the plague in Dresden, and being chased through Berlin by Frederick the Great.
Dott is a twelve-year old girl. She lives in the countryside east of Berlin in an unspecified time between the two world wars. When Dott sneaks out to see the bonfire at the edge of her village on the evening of the midsummer night festival, she has no idea what will happen next. In the dark of night, the magical Rennefarre flower falls into her shoe. It not only makes her invisible, but also allows her to see things no one else could see. No longer able to stay with her parents and her young brother and sister, she begins her search to find a way out of her predicament.
Her quest to return home to her family winds its way through the cities and countryside of 20th century Germany—and beyond. As she befriends the local animals, they help her on her way with gifts of food, shelter, and—through the help of a kind spirit—a magical cup which allows her to become small and ride on the backs of the birds.
Flying across the country on the backs of crows and herons, Dott finds herself seeing the country not only as it is, but also as it used to be. She lives through moments in history others can only read about—meeting historical kings and fanciful spirits along the way. But, even with all of the excitement of her travels, she always has one goal in mind: returning home to her family.
Part coming-of-age story, part fantasy, and part social-cultural portrait of Eastern Germany in the early part of the 20th century, the book covers real ground. That is, one could follow Dott's travels on a map of the area. Seamlessly blending elements of fantasy and history, the book contains a fascinating array of details of day-to-day life in rural and urban areas in eastern Germany. Dott’s adventures are interwoven with folklore and myths as well as vivid accounts of different eras and the diverse cultural and ethnic strains that have formed the basis for a rich and complex history of Germany and Eastern Europe. Written on the eve of World War II, the book offers a sobering perspective on the human potential for causing devastation. At the same time it is filled with hope. In one scene, Dott gets a glimpse of the future — an utterly destroyed cityscape; it inspires her to look to her own responsibilities and actions in life.
Guest Post:
When rereading Rennefarre
as an adult, I began to appreciate the amount of research Tamara Ramsay must
have engaged in. Alongside an emotionally compelling story of a girl’s attempt
to return home to her family, the book offers a wealth of factual detail, vivid
descriptions of geography, plant, and animal life, a rich fabric of history and
historical figures, and a colorful tapestry of legends and myths, doubly
attractive for being rooted in concrete places and events.
For instance, the legendary Frau Harke, protector of nature
and animals, appears today in the name of a mountain in Lower Saxony, and she
is still celebrated in some local traditions. I searched for information about
the plants that Tamara Ramsay mentions and discovered that these plants are not
imaginary, but rather real plants that have potent properties and feature in
homeopathic and folk remedies. Hence, the Springwurzel,
given by the giant spirit Rübezahl to Dott as a remedy for her little sister,
is the caper spurge. The caper spurge (euphorbia lathyris) has been used as an
anti-inflammatory agent and to treat a variety of medical conditions, including
rheumatoid arthritis.
In one of my favorite scenes in the book, Dott and her
friend Klaus spend an evening in the cemetery of the church St. Anna in a town
called Rosenberg. Today, this town
is called Olesno, and it is in Poland. The children, who had been conflicted
about their journey, are transported into a moment in deep winter. The children
watch pilgrims from all over the county travel to the church for a service. The
first wave of pilgrims consists of animals, among others, horses from the mines
in Silesia, bent and blind from their labors. Men, women and children dressed
in their finest follow. The children watch this procession and decide to go
along; and the experience helps them to resolve some of their doubts. When I
researched St. Anna, I found that this church had indeed been the site of regular
pilgrimages since the 15th century.
In another scene, Dott encounters the bridge builder Matteo
Foccio, thought to have built the first stone bridge in Dresden in the 13th
century. Matteo Foccio shows Dott a sculpture in one of the pillars of the
bridge, claiming that it was his self-portrait and that he carved it himself. I
was able to track this down and verify that until 1813, one of the original pillars
of the Augustus Bridge featured a stone relief sculpture of a man in a sitting
position and dressed in the style of the period. According to local lore, it
was a portrait of the Italian architect Matteo Foccio. The bridge was dynamited
in 1813 and rebuilt; the figure was lost in the process. This is one of many
such instances in the book where Dott’s personal story is linked in seemingly
effortless fashion with real history as well as the shifting ground in the way
in which we experience and rethink history.
Q&A:
Q: Please tell us about
your current release.
A: The first English edition of Rennefarre is the culmination of a dream of mine—a perfect storm of
things that I love: a wonderful original text, the challenge of translation,
the thrill of research, and the joy of assembling everything into a finished
product. I am excited that it is now in print and available to an English
reading audience.
Q: Can you tell us about
the journey that led you to write your book?
A: I have loved Rennefarre
since I was a child. I read it over and over, fascinated and charmed by the
adventures of Dott, the main character—described in such a tangible and
immediate fashion. I loved the voices of the animals that Dott encounters. The
descriptions and scenes are so real that it is easy to imagine oneself
following along in Dott’s footsteps. Dott, impulsive, stubborn, and passionate,
was real and believable to me as a child. As an adult returning to this book, I
decided that it was a treasure that should be made available to English
readers.
Q: Can you tell us about
the story behind your book cover?
A: The cover depicts a scene in the book where Dott seeks out a
place to sleep for the night. When she stands in front of this building, she
feels very much alone and is grateful for the company of Ardea, the young heron
next to her. She ends up sleeping in the abbey, sheltered and kept warm by the
heron’s wing. The image conveys
many elements of the story, the thrill of discovery, the charm of nature, a multi-layered
and complex history, the importance of friendship, and the feeling of being
alone.
Q: What approaches have
you taken to marketing your book?
A: This is a new and exciting experience for me, and the
learning curve is sharp. It is my
first venture into making use of Facebook and other social media for marketing.
I look forward to discussing details of the book on blogs. I will attend an
authors and illustrators event at a school in my town in March 2013.
Q: What book on the
market does yours compare to? How is
your book different?
A: This is not an easy question to answer. Two books, also
translated, come to mind. One is Michael Ende’s Neverending Story. Like Rennefarre,
this book involves the element of a quest and the search for home, but unlike Rennefarre, it is set entirely within
the world of fantasy. Selma Lagerlöf’s Nils
Holgersson and the Wild Geese involves a similar storyline of a child that
travels with animals and seeks to return home; however, it was written for a
much younger audience. The Magic Tree
House series by Mary Pope Osborne has some interesting parallels. These
books feature children who are magically transposed into different periods and
places in the world as a result of which they are given brief glimpses into
history and myths. Meanwhile, the books are addressed to a younger audience and
ultimately consist of many disparate fragments or glimpses of the world of
history and legends. Rennefarre,
perched on the fluid fault lines between history and legend and interwoven with
elements of magic and fantasy, meanwhile presents a single story of a child’s
journey with an overarching central theme of human responsibility and choices.
Q: What would you say is
your most interesting writing quirk?
A: Regrettably, I would have to admit to an unfortunate
tendency to writing long convoluted sentences. Even though I have lived in this
country since I was thirteen and have worked as a translator for over two
decades, the German language has a way of creeping up in my writing. There is a lovely word in German, “Schachtelsatz”,
which describes a sentence consisting of boxes within boxes within boxes of
meaning. The polar opposite is the
standard of short succinct sentences favored by many writers, including those
trained in American schools of journalism, among others. I try to steer
somewhere in the middle of these sirens of style.
Q: Open your book to a
random page and tell us what’s happening.
A: Page 45: In this scene, Dott tries to fulfill a quest with
which she had been entrusted. She wants to free an owl that had been captured
by humans in order to serve as a decoy. Dott sits in front of the cage where
the owl is being held and waits for daylight. Two other animals, the owl’s mate
and a squirrel, are watching and waiting to see how Dott will manage to free
the owl. The owl looks sick and apathetic. Dott is appalled by the suffering of
this bird in captivity and feels ashamed as a human being.
Q: Do you plan any
subsequent books?
A: I have completed a manuscript of historical fiction for
young adults entitled Falconello. It
is set in the 13th century and involves the journey of a young man
from the north of Germany to Italy. I am now working on another historical fiction work set in
Jerusalem in the 12th century.
Q:Tell us what you’re
reading at the moment and what you think of it.
A:Aside from rereading Jane Austen’s Pride and Prejudice whenever I am in the need of balance, I always
have a stack of books that I check out of my local library. The latest gem has
been a book by Helen Dunmore, The Siege,
about the siege of the city of Leningrad in World War II. It is a book hard to
forget; the relentless cold and the gnawing hunger seep into your bones as you
read it, and at the same time, Dunmore captures something exquisite and
beautiful about the human spirit.
About Malve Von Hassell:
Malve von Hassell is a freelance writer, researcher, and translator. She holds a Ph. D. in anthropology from the New School for Social Research. Working as an independent scholar, she published several books and journal articles, in particular, The Struggle for Eden: Community Gardens in New York City (Bergin & Garvey 2002) and Homesteading in New York City 1978-1993: The Divided Heart of Loisaida (Bergin & Garvey 1996). She has also edited her grandfather Ulrich von Hassell's memoirs written in prison in 1944, Der Kreis schließt sich - Aufzeichnungen aus der Haft 1944 (Propylaen Verlag 1994). She has taught at Queens College, Baruch College, Pace University, and Suffolk County Community College, while continuing her work as a translator and writer. She has published a children’s picture book, Letters from the Tooth Fairy (Mill City Press, 2012), and completed a manuscript for a historical fiction book set in the 13th century for young adults, Falconello. She is working on a historical fiction novel set in Jerusalem in the time of the crusades.
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GIVEAWAY:
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